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Stéphane Pucheu just published "Magnus or the Cavalier"

Stéphane Pucheu just published “Magnus or the Cavalier”

Editions Noon 31, founded by Laricais, has published Stefan Bucci’s work “Magnus or the Cavalier”. Below, the author answers questions from publisher Thierry Hugh about his work.

Mr. Bocho, what is your understanding of literature? My perception was summarized in a book called For Real Literature written in 2010 (published by Hunter’s Compendium). I have a scientific approach to literature, which means I never know what to write beforehand, how is that scientific?

As much as it is constant trial and error that leads me to find, at a given moment, a unity based on how I feel. The whole engine is there: I don’t know what to write, I’m venturing into an absolutely new story.

What is your role model?

I don’t have a model. On the other hand, I am accustomed to defending the great French writers called the classics who were all revolutionaries of their time: Laclaus, Proust, Céline, Camus, Rob Grill…

What is the new roman?

In my eyes, the New Romans is the last creative literary moment in France and abroad. Moreover, my literature has partial roots with the New Romans.

What distinguishes the new Roman?

It is a renewal of literature through new formal inventions. The reader should keep in mind that literature, like science, develops.

names ?

Robbe-Grillet, to me, is the main mark of this novel. There was also Nathalie Sarrot and Claude Simon (Nobel Prize for Literature in 1985), all published by Editions de Minuit.

Aside from your book, what reading would you recommend to regular people?

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My friend Richard Millett who excels at articles as much as at novels. (Desert East, Liu Cher County)

What happened to the new Romans today?

He immersed himself in the abstract literature that I founded about 20 years ago.

How is this literature stripped?

It is abstract because it is a new way of naming things, a new narrative approach that reshapes feeling, emotion and thinking at the same time. According to some, it seems to be a new view of the world.

Has your work been subjected to literary criticism?

Absolutely! Jean-Michel Joyo has been, for some time, writing relevant articles on the abstract fabric of my literature, criticism which can be pursued through RAL’M (Revue d’Art, de Littérature et de Musque sur internet).

And what’s new?

I am the founder of The New Abstract, which is not a continuation of the brief genre but a rupture: traditional notions of story, characters, and literary chronology are absent in favor of an open narrative structure whose unity must be discovered as you read.